Monday, 18 January 2016

Typography

In the 21st century, instead of putting pictographs on the packaging, designers use typography and colour to identify products from each other. It is the thing that communicates to the consumer. Typography is the essential element of the package because it presents the product name, descriptors, uses, benefits, variants, ingredients, components, instructions, safety warnings, customer care information and ownership details. 
Today the consumers have a whole selection from which we can choose to make the packaging more interesting and appealing – for example, manufacturers have devices for debossing or embossing, or using special effects like foiling or varnishing, or by positioning the branding in interesting ways relative to the physical packaging. ‘These effects and devices can communicate overtly – consumer understanding being based on preconceived ideas of luxuriousness or frivolity – or they can act subliminally, as part of a brand’s desire to engage the consumer’s senses and emotions’ (Giles Calver, 2007,p.120). 
It is important that the typography is legible, recognized and understood. The selection of the font is very important and it depends on the product: for example,  if the product is handmade the best font to be chosen is one with a handmade style. The size, shape and style are all characteristics of typography that effect communication. The layout and the hierarchy are very important for the packaging. The challenge for the designer is to display this information in a manner that is distinctive, so that it supports the brand proposals and helpful, so that it enables the consumer to select the product he or she wants. The skill lies in understanding how to manipulate information layout in order to draw and hold the consumer’s eye. 
'The designer’s gift also lies in understanding which information is most important to consumers at the purchase point, the moment of decision in the store, and the usage point, when information is being read in a different mode – at home, work, or leisure.' as stated by Giles Calver (2007, p. 126). 

Reference:

Calver, G. (2007) What is packaging design? (essential design handbooks). Edited by Leonie Taylor. Mies, Switzerland: RotoVision SA


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