Monday, 18 January 2016

Materials of packaging

When visiting supermarket consumers see a lot of different packaging that is made of different type of materials like carton, plastics, glass and thin. It all depends on the type of product to choose the material because it can be ‘potentially harmful such as solvents or packaging products such as medicines which can be sensitive to environmental factors like ultra-violet light’ stated Giles Calver (p.70, 2007). A material that is commonly used I carton. It is used for frozen foods, cosmetics, electrical goods, medicines, confectionery and household goods. The size of the carton have to be determined by the secondary packaging  such as the bottles of personal care products sometimes the product will be a lot smaller than the packaging its self. ‘A carton’s shape may similarly be influenced by the product it holds or by a desire to make it eye catching on shelf. Look at an average display of Easter eggs and you see that products display plays a large part in the shape and structure of the packaging, to the extent that the product often seems disproportionately small compared to its packaging’ (Giles Calver, p.72, 2007). 
There is variety of boards that cartons are made from. For example solid, bleached board is typically used for products like cosmetics, pharmaceuticals and frozen foods. Folding boxboard is often used for food packaging according to Giles Calver (p.72, 2007). Sometimes boards can be coated or laminated with aluminium foil it depends on the type of product to improve its look and feel. Another material that is commonly used for drinking bottles and perfumes is glass. In the last century glass was the main material for bottles, but nowadays designers are tented to use plastics instead for example the soft drinks like Coca-Cola. In some cases designers have no choice of choosing glass or plastic for example ‘pharmaceutical bottles need to be cleaned and sterilized using steam or dry heat, and plastics would distort if subjected to this treatment. Some products like beer need to be pasteurized, so also require glass, vegetables. Some products like peanut butter need to be filled hot, because in their cold state they are too solid sated Giles Calver (p.76, 2007). Sometimes the material conveys a different message for example fine spirits look more of good quality in glass rather than in plastic. Tubes are mainly used for personal care products or cosmetics. The materials used nowadays are aluminium or plastic but in the past designers used to use metal. Tubes have special printing for graphics because of the material and their size. Giles Calver says that metal tubes use a process called ‘Dry offset Letter press’  where the design is transferred colour-by-colour onto a central blanket cylinder and then rolled onto the can in one pass. 
As a result, this process does not replicate half-tones well. Plastic tubes are printed in two ways: laminate tubes are printed flat, using a litho process and then formed after printing. This process allows four-colour process like silk-screening of flat, opaque colours, can be added. Aluminium also used for cans and needs to be printed flat before forming, to form the correct image on the finished can. This type of material and packaging is used mostly for beers and soft drinks cans. Cans can be in different shapes not only a cylinder shape. For example Sainsbury designed a new can that has a squared shape for their tomato soup. Also Nescafe has launched cans but not different shape but in another innovative way, of self-heating can. Clamshells packaging is that packaging that is made of paperboard at the back and plastic. With this type of packaging, the designers don’t have to put a photo of the product because the consumers can see the product as the packaging is transparent. This type of packaging put the designers in a challenge as it has a small area for graphics. The graphics has to simple and forward.

Reference:

Calver, G. (2007) What is packaging design? (essential design handbooks). Edited by Leonie Taylor. Mies, Switzerland: RotoVision SA.

Typography

In the 21st century, instead of putting pictographs on the packaging, designers use typography and colour to identify products from each other. It is the thing that communicates to the consumer. Typography is the essential element of the package because it presents the product name, descriptors, uses, benefits, variants, ingredients, components, instructions, safety warnings, customer care information and ownership details. 
Today the consumers have a whole selection from which we can choose to make the packaging more interesting and appealing – for example, manufacturers have devices for debossing or embossing, or using special effects like foiling or varnishing, or by positioning the branding in interesting ways relative to the physical packaging. ‘These effects and devices can communicate overtly – consumer understanding being based on preconceived ideas of luxuriousness or frivolity – or they can act subliminally, as part of a brand’s desire to engage the consumer’s senses and emotions’ (Giles Calver, 2007,p.120). 
It is important that the typography is legible, recognized and understood. The selection of the font is very important and it depends on the product: for example,  if the product is handmade the best font to be chosen is one with a handmade style. The size, shape and style are all characteristics of typography that effect communication. The layout and the hierarchy are very important for the packaging. The challenge for the designer is to display this information in a manner that is distinctive, so that it supports the brand proposals and helpful, so that it enables the consumer to select the product he or she wants. The skill lies in understanding how to manipulate information layout in order to draw and hold the consumer’s eye. 
'The designer’s gift also lies in understanding which information is most important to consumers at the purchase point, the moment of decision in the store, and the usage point, when information is being read in a different mode – at home, work, or leisure.' as stated by Giles Calver (2007, p. 126). 

Reference:

Calver, G. (2007) What is packaging design? (essential design handbooks). Edited by Leonie Taylor. Mies, Switzerland: RotoVision SA